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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Inditchenous beestes of New Olland

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A remarkable undated drawing by Edward Lear (1812–88) blends natural history and whimsy.

Hell's mouth, 2019 Cam Neville

Facing the inferno

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Tara James speaks to Cam Neville about his portrait series, Firefighters.

Lord Kitchener

Lord Kitchener

Imperial strategist
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Once central to military strategy and venerated in patriotic households, Lord Kitchener is now largely forgotten.

Thomas Woolner

Missing Persons

Thomas Woolner in Australia
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Desperately seeking Woolner medallions

Surfing, Noosa, 1970s Stuart Spence

The play’s the thing

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Penelope Grist charts an immersive path through Stuart Spence’s photography.

Installation of ‘Face to Face: The New Normal’ at Wagga Wagga Regional Gallery, 2021 Vic McEwan

Facing the feeling

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Penelope Grist explores the interplay between medicine and portraiture in Vic McEwan’s Face to Face: The New Normal.

The eye and the heart

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Nici Cumpston immerses herself in the collective vision of the National Photographic Portrait Prize 2020.

Olegas Truchanas

Giving a dam

True south #1
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Ensconced and meditative in crisp Tasmania, Joanna Gilmour pays tribute to passionate green advocate and photographer Olegas Truchanas.

Self-portrait with guardian spirits, 2009-2010 Kate Beynon

Kate Beynon’s transcultural life and art

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Phoebe Lupton profiles artist Kate Beynon, whose contemplative self portrait features in Archie 100: A Century of the Archibald Prize.

Untitled, Conductors, Tramways series, 1990 © Matt Nettheim

Back track

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Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.

Brooke Lockett, Heidi Martin, Karen Nanasca, Halaina Hills; New York, 2012 Lisa Tomasetti

Dance like everyone’s watching

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Penelope Grist’s spirits soar with Lisa Tomasetti’s Dancers in the Streets series.

Mural of Italian/Roman actress Anna Magnani (1908­–1973) with face mask, April 2020 Unknown artist

Of plague and portraits

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Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.

Helen Borthwick née Pearson

The personal and the historical

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Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.

Christmas Island

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This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency